Our newest song "Here's Hoping" is out on Bandcamp now as the 7th installment on our humble exile collection that we've been working on and releasing incrementally since last summer. We explored some different sounds on this latest one, tapping into some dream-gazy 90s & 80s goth vibes. It is a song about seeing this mess we're in and seeing each other for who we are & actually finding some hope in that.
I've been wanting to make something like a dream-pop song for a while now- initially inspired when I fell in love with Mint Julep's Save Your Season (2011) several years ago. My thinking at the time was pretty simple- start with dreamy quiet vocals treated with atmospheric delay and reverb effects and go from there...
More recently I was listening to some Casket Girls and it reignited this interest to try something different like this. For inspiration here I leaned heavily on my favorite part of my favorite song of theirs "Day To Day" (True Love Kills the Fairy Tale 2014) to build from - a bass progression that I lifted & shifted by a half step - my thought/ hope being "will they mind if I borrow this?... they were hardly using it."
The drums on "Day To Day" have such a distinct rhythm that I wanted to be sure to steer clear from - otherwise a foundational homage to this incredible song could quickly turn into a mediocre copy, which I was really hoping we could avoid. So when I engaged Alex to record some drums, I wanted to reach further back further for the sound and capture something akin to "A Strange Day" by The Cure (Pornography, 1982). The tone and treatment of the bass was also drawn from the style of that era.
The recorded drum part that Alex came back with brilliantly distilled this input and nailed a sound that is both distinct and subtle, and just right for the song. As these parts came together, some effects at the beginning provided a not-so-subtle splash of "Plainsong", the opener of The Cure's Disintegration (1989).
I approached the guitars with the intention of doing something different there too - basically looking for a more "spacey" sound - and deployed some effects settings on my amp that I hadn't really tried out before. I'm really pleased with how those parts came out, although in the end I still layered the guitar with the same '65 Twin Reverb effect setting that I use on pretty much every song since Meet My Cat EP (2014). I hadn't really planned to use it again here, but it just brought everything together best in my ears.
We shared the isolated "guitars only WIP" for "Here's Hoping" to Soundcloud to check out if you'd like. What you hear here is pretty much exactly how the guitar tracks ended up in the final mix.
An early working title for this song was some combinations of the words "dark-dream-wave-pop" and our hope overall was to blend these sounds together to create something distinct from its various inspirations, and hopefully better than just a poor copy. Then while in the process of recording, I listened to the new Crystal Canyon release (Yours With Affection And Sorrow, 2021 on Repeating Cloud)- and all the textures and atmospheres - the ones I was clawing around for desperately trying to make work - are right there and it sounds so natural and effortless.
It was inspiring and discouraging in it's own way, making me feel like a tourist watching how the locals get things done. Musically that's a great deal of what "Here's Hoping" is about. Lyrically it is about the mess we are in, and our own responsibility to get ourselves out of it. This is certainly a theme that I thought about in relation to the recoding and mixing of the song itself.
Anyway, thanks for reading all this. It was a bit indulgent, kinda like the song itself. We hope you enjoy it.
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